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Old Feb 12, 2011 | 12:07 PM
  #31  
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Originally Posted by Faast Ed
You were when you contradicted the previous advice of shooting many shots. What if his "one shot" is blurry? Why confuse the guy?

We know you just wanna show off your knowledge. Your posts often reflect that. They often contain irrelevant info just to show your knowledge.
Gets annoying afer a while.



Red eye mode?
No. It's a fill mode, not red eye.
 
Old Feb 12, 2011 | 12:08 PM
  #32  
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Originally Posted by Faast Ed
I'd like to see this guy catch this shot with a "one shot one kill"! LOL


It was the best of 5 with a cheap camera, at the Chicago Airshow.

That would be easy really as long as you had your camera with you. He does things like this all of the time. Guess it just comes with 30 years of experience and a good eye.
 
Old Feb 12, 2011 | 12:23 PM
  #33  
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Originally Posted by ftanner
No. It's a fill mode, not red eye.
Depends on which camera you have. It's not standard terminology.
The function is the same.

That would be easy really as long as you had your camera with you.
Ya think?????? Bwahaha!



Good advise for the OP. Bring a camera!
 
Old Feb 12, 2011 | 12:31 PM
  #34  
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Originally Posted by ftanner
Says the man with a background full of trees in his picture.

The background has just as much to do with "making the shot" as the foreground does.
Yeah, those trees ruined that picture...a real distraction even..
 
Old Feb 12, 2011 | 12:43 PM
  #35  
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Originally Posted by Sleeko Deluxe
I don't know, I kinda like a lot of distraction in the background. But that's just me.


No distraction there, just good looking landscape that compliments the bike. Nice pics.
 
Old Feb 12, 2011 | 01:00 PM
  #36  
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I'll go with the previously given advise of:

- Large aperture to bring down the DOF; I prefer bokeh, after all, it's a portrait
- Low angle to give a larger-than-life perspective on the bike
- Either bright, sunny for bright chome, or Golden Hour for good artistic look
- Many photos, go through them later to see what came out well

One thing that hasn't been mentioned, though; I'd bracket the photos. With the bright chrome and the dark solids of most bikes, nevermind whatever your background is, it'll be tough to get the light just right. Save yourself the hassle, and bracket.

That is, if your camera can do it. I presume that we're talking SLR.

If you want me to play with the colors after you shoot them, send 'em over to me & I'll play with it. Some of mine, if you're interested:




 
Old Feb 12, 2011 | 01:20 PM
  #37  
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Originally Posted by BobStreetBob
No distraction there, just good looking landscape that compliments the bike. Nice pics.
Thanks BobBob!
 
Old Feb 12, 2011 | 02:56 PM
  #38  
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Originally Posted by ftanner
A buddy of mine who is a commercial photographer would disagree with this statement. He's been in the business for about 30 years now and he's a "one shot one kill" kinda guy, even in the era of digital cameras. He looks for that perfect shot (or at least the shot he's looking for), sometimes waiting a long time for it, then he shoots it.
Your friend is probably the only "pro" that takes only one shot and hopes it's the "money" shot. I'll bet he loses a lot of jobs that way.

Fill flash helps with the shadows in a lot of cases.

A large aperture will give you a shorter depth of field if you want the background blurry.

A basic book on photography will give you a lot of helpful hints.
 
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Old Feb 12, 2011 | 07:05 PM
  #39  
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I was sent to several photo schools as a LEO. They almost ruined any artistic composition I could of had. Just shot everything in every room all four corners.

That is NOT the way to take family or personal photos. I agree with the comments on "Depth of Field" The larger the number the smaller the aperture. The more dynamic the picture. Also bracketing is a great idea, along with the tips on buying a basic photo book.

When I was trained they use to say that the film was cheap compared to a lost shot so take plenty of shots. Today with digital that is even easier than ever. Using a flash outdoors in bright sunshine will help take out hard shadows. Just get out there and take a lot of photos with the advice you got here. I am old enough to have been to many events and functions where true Professionals were employed to take photos. They all takes hundreds of photos to make sure they get a few they like. No pro in my opinion waits for just the one great shot. Good luck.
 

Last edited by Nellybelle; Feb 12, 2011 at 07:07 PM.
Old Feb 12, 2011 | 07:15 PM
  #40  
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No pro in my opinion waits for just the one great shot.
It's just too damn easy to miss the perfect shot.
Multiple shots increase the odds of getting that trophy shot.
 



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