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Old May 27, 2013 | 07:52 PM
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Originally Posted by Rich00748
When I tested the handlebar mount (very limited mounting location if you have drag bars), I had the lens setting on "wide". Not sure if that made a difference. But it had a wobbly effect. I have a helmet mount, so I will be trying that next since that should be a good perspective.

The pics here look pretty damn cool

Thanks
Gopro suggests to set on narrow size recording while using it on bikes , cars ... never tried to see the difference .
 
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Old May 27, 2013 | 08:12 PM
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I had mine on wide setting too (720p 120fps wide). Maybe the suction cup kills some of that vibration, but I can see that wobble effect yours.
 
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Old May 27, 2013 | 08:17 PM
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Originally Posted by ynots
You can also get some really good shots mounting it to the headboard. They even named the GoPro after me!
I can't say it hadn't crossed my mind.
 
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Old May 27, 2013 | 08:34 PM
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I've used the suction mount on the tank/front fender up to 70mph with no problems. No damage to the paint either.

Anytime you shoot in anything greater than 30fps (non drop frame timecode) you're going to notice more wobbles due to the slow-mo. (Edit: Time lapses can look AMAZING by the way with the go pro on a bike)

There's really no reason to be shooting it higher than 720p. I'm willing to bet VERY few people can tell the difference (and if they say they can they're usually full of s%$!). This will give you great quality and reduce the file size, thus giving you more time on the shot.

The difference between 720 and 1080 in regards to file size is pretty large (and if you have the gopro3, 2k/4k video is massive!).
 
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Old May 27, 2013 | 08:44 PM
  #15  
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My video was recorded at 1080/30fps, I think the wobble in this case was amplified by using the "wide" lens setting. Next time out I will try "narrow", and will also try the helmet mount.

I can only imagine the file size of the 4k. I have the Silver edition, and that is only available on the Black edition. I didnt really see the need to spend the extra cash for that.

Also, not too sure what the "ProTune" feature does, but it knocks down your available record time in HALF!
 
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Old May 27, 2013 | 08:49 PM
  #16  
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Originally Posted by Rich00748
My video was recorded at 1080/30fps, I think the wobble in this case was amplified by using the "wide" lens setting. Next time out I will try "narrow", and will also try the helmet mount.

I can only imagine the file size of the 4k. I have the Silver edition, and that is only available on the Black edition. I didnt really see the need to spend the extra cash for that.

Also, not too sure what the "ProTune" feature does, but it knocks down your available record time in HALF!
I think ProTune allows you to record in 24fps, which is the equivalent of a film look. (24 FPS is what you'll see in movie theaters, whereas 30fps is what you'll see on watching sports, news, etc.)

The wide lens is 180 degrees; the narrow is....135 I think and should give you a more normal picture.
 
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Old May 27, 2013 | 08:50 PM
  #17  
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Originally Posted by Rich00748
My video was recorded at 1080/30fps, I think the wobble in this case was amplified by using the "wide" lens setting. Next time out I will try "narrow", and will also try the helmet mount.

I can only imagine the file size of the 4k. I have the Silver edition, and that is only available on the Black edition. I didnt really see the need to spend the extra cash for that.

Also, not too sure what the "ProTune" feature does, but it knocks down your available record time in HALF!
ProTune is mainly for white balance. Normally I leave mine in camera raw so that I can adjust it in post production so that it looks the best it can. If you already know the color temp of the light you are dealing with beforehand then you can set it in the camera.
 
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Old May 27, 2013 | 09:45 PM
  #18  
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Originally Posted by TheRide77
I think ProTune allows you to record in 24fps, which is the equivalent of a film look. (24 FPS is what you'll see in movie theaters, whereas 30fps is what you'll see on watching sports, news, etc.)

The wide lens is 180 degrees; the narrow is....135 I think and should give you a more normal picture.
Thought about that, but 24fps is available with ProTune turned off.
 
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Old May 27, 2013 | 09:47 PM
  #19  
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Originally Posted by mos68x
ProTune is mainly for white balance. Normally I leave mine in camera raw so that I can adjust it in post production so that it looks the best it can. If you already know the color temp of the light you are dealing with beforehand then you can set it in the camera.
I'd rather have twice the record time, and do it myself as well.

What program do you use to edit? My laptop only has Windows Live Movie Maker. And as far as I can tell, sucks, and only exports in .wmv?
 
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Old May 27, 2013 | 10:45 PM
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Originally Posted by Rich00748
I'd rather have twice the record time, and do it myself as well.

What program do you use to edit? My laptop only has Windows Live Movie Maker. And as far as I can tell, sucks, and only exports in .wmv?
I have a Mac so I use Final Cut Pro X, if you look at my post 'It's about time' you can see how it looks. I haven't changed the factory lens out of it so it still has that annoying fisheye look to it and I didn't do any post production lighting changes either. The only thing I did in that video was to intentionally use the full waterproof case to cut down on the audio distortion caused by the exhaust since I knew that the audio would cut out with using the skeleton case.

The only thing I can suggest for you video editing is to use the free GoPro video software available on their website, but for other Windows based edition software I can't help there since I left Windows 4 years ago. Adobe has one I think but I don't remember the name of it.

Hope that helps
 
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